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Vorarlberg Single


The shaping of clay grew to a desire to architecturally design with earth.With the sensitivity of the ceramicist for the composition and the physical-chemical conditions and effects of his material, Rauch set about to rearticulate the language of clay as a building material, to exhaust all the facets of the earthen material, whereby technical advances and enhancements went hand-in-hand with formal complexity. Since design, planning and realization of clay building projects at home and abroad. Tools, frame forms, working techniques were developed anew, test walls erected, and the experiences gathered in the single-handed execution of the structures put to immediate use in each subsequent series of tests. Instead of handing in the tea service called for by Matteo Thun for his diploma project at the University of Applied Arts Vienna, Rauch submitted a study on the potential of clay construction. Step-by-step he experimented with and improved the natural mixture of materials, the compression techniques, the shape of the formwork, and developed the old techniques further using additional layers of reinforcement, but without departing from their structural frameworks. From the beginning onwards his interest was particularly focused on stamped-clay techniques, a method by which the material is not subject to any additional facing or enhancement.


Video: MTB-Tour: Silbertal - Fellimännle - Sonnenkopf - Kristberg (Vorarlberg, Österreich, Austria)



The pure structure, color and haptics of the material remain unaltered and intensively preserved in the process of forming and compression. His subjective tendency to work with povera—primitive artistic material—found angeschaltet objective, conceptual framework. Instead of handing in the tea service called for by Matteo Thun for his diploma project at the University of Applied Arts Vienna, Rauch submitted a study on the potential of clay construction. Step-by-step he experimented with and improved the natural mixture of materials, the compression techniques, the shape of the formwork, and developed the old techniques further using additional layers of reinforcement, but without departing from their structural frameworks. As in the case of unfired or low-fired unglazed ceramics, the fabrication of un-stuccoed pisé constructions such as those Rauch also came across amongst anonymous outbuildings in France led abruptly to angeschaltet expression of itself. Tools, frame forms, working techniques were developed anew, test walls erected, and the experiences gathered in the single-handed execution of the structures put to immediate use in each subsequent series of tests. With the sensitivity of the ceramicist for the composition and the physical-chemical conditions and effects of his material, Rauch set about to rearticulate the language of clay as a building material, to exhaust all the facets of the earthen material, whereby technical advances and enhancements went hand-in-hand with formal complexity. Martin Rauch born in Schlins, Vorarlberg, Austria "Rauch discovered clay architecture not through architecture, but through his education and his first projects as a ceramicist, oven builder and sculptor. The molding of tiles and ovens became shaping and construction on a larger scale in the recasting of soil into inhabitable spatial figures.



Experience a traditional cattle procession in the Alps


Instead of handing in the tea service called for by Matteo Thun for his diploma project at the University of Applied Arts Vienna, Rauch submitted a study on the potential of clay construction. Since design, planning and realization of clay building projects at home and abroad. In Africa his artistic impulse took on a global perspective. The pure structure, color and haptics of the material remain unaltered and intensively preserved in the process of forming and compression. With the sensitivity of the ceramicist for the composition and the physical-chemical conditions and effects of his material, Rauch set about to rearticulate the language of clay as a building material, to exhaust all the facets of the earthen material, whereby technical advances and enhancements went hand-in-hand with formal complexity. As in the case of unfired or low-fired unglazed ceramics, the fabrication of un-stuccoed pisé constructions such as those Rauch dadurch came across amongst anonymous outbuildings in France led abruptly to an expression of itself. Martin Rauch born in Schlins, Vorarlberg, Austria "Rauch discovered clay architecture not through architecture, but through his education and his first projects as a ceramicist, oven builder and sculptor. His subjective tendency to work with povera—primitive artistic material—found an objective, conceptual framework. The molding of tiles and ovens became shaping and construction on a larger scale in the recasting of soil into inhabitable spatial figures.


Vorarlberg Single


Vorarlberg Single

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